The only character in Drowning Mona (2000) who is not exhibiting a host of tics, neuroticisms, or various forms of narcissism is the police chief of Verplanck, NJ, Wyatt Rash, who is faced with the discovery of Mona Dearly’s body in her son Jeff’s car. And where’s the car? In the lake.
Hidden in this cacophany of emotionally damaged families is a fair murder mystery, for Mona didn’t go willingly into this lake, but all the while madly pumping the miscreant brakes and screaming profanities, the latter being her normal operating procedure for her adult life. Much like the Tunguska Event trees, Mona’s influence has been negative, even nasty, and it’s left her family and, ah, business associates more or less in shock before she died, from her husband, hesitant from beatings, to her son, hell-bent on beer, to her son’s co-business-owner, who has learned not to express emotion. Even the waitress sleeping with a father and son has the twitches at the thought of Mona.
You won’t unravel this mystery before Chief Rash does. Not only don’t you have information he has, but his motivation is the greater – his pregnant daughter’s fiancee is one of the suspects, and things are looking bad for him – and the chief’s daughter. But when another body appears in the lake, pressure begins to build in this farce – is there a mad killer on the loose?
Or is the killer just a bit pissed?
Well acted and with some big stars, if that matters to you, this is a fun little romp; there’s not much of serious interest here, but it’s a well-made movie, full of quirky characters and other bits (my favorite is the funeral home – “As Seen On TV!”), and a story which is in no hurry to reveal big secrets.