{"id":3341,"date":"2016-03-26T18:31:10","date_gmt":"2016-03-26T23:31:10","guid":{"rendered":"http:\/\/huewhite.com\/umb\/?p=3341"},"modified":"2016-03-26T18:31:10","modified_gmt":"2016-03-26T23:31:10","slug":"belated-movie-reviews-ctd-4","status":"publish","type":"post","link":"https:\/\/huewhite.com\/umb\/2016\/03\/26\/belated-movie-reviews-ctd-4\/","title":{"rendered":"Belated Movie Reviews, Ctd"},"content":{"rendered":"<p>I found some time to watch the <a href=\"https:\/\/huewhite.com\/umb\/2016\/03\/18\/belated-movie-reviews-ctd-2\/\" target=\"_blank\">Steiger version<\/a>\u00a0(teleplay) of <a href=\"https:\/\/huewhite.com\/umb\/2016\/03\/23\/belated-movie-reviews-ctd-3\/\" target=\"_blank\">Marty<\/a> while sitting with my terminally ill cat. I was a little distracted by the technical problems, the worst of which was the audio track, fading in and out and distorting the dialogue into illegibility; I was more able to negotiate the video quality, which occasionally overexposed.<\/p>\n<p>The content differences: the teleplay does not contain the subplot in which Marty contemplates buying the butcher shop; Angie&#8217;s role is much smaller in the teleplay.<\/p>\n<p>The jarring problems with the teleplay: Marty complains of being short, fat, and ugly. Steiger may not be a model, but he&#8217;s none of those, especially the fat part. Borgnine comes closer, although he&#8217;s just somewhat plump.<\/p>\n<p>Secondly, Marty&#8217;s\u00a0paramour (okay, that&#8217;s a jest) is oddly non-reactive. I&#8217;m not sure if the actress is simply trying to play a woman who has no idea of how to react when a man starts to fall for her, or if she just finds the entire character baffling. Granted, the movie&#8217;s version of the paramour was also somewhat of an enigma, but not to this magnitude.<\/p>\n<p>And the shared baffling subplot: Aunt Catherine and Marty&#8217;s mother, Mrs. Piletti, discussing the woes of widowhood, and the dangers of sons marrying. In the teleplay, it&#8217;s like a wart on the side of an otherwise svelte cougar: what&#8217;s that doing there? In both productions it has an engaging quality of an authentic, and little-discussed, problem for women who no longer have children to raise, but in the teleplay it serves as little more than a reason for Mrs. Piletti to desperately disparage the focus of her son&#8217;s attention &#8211; and that, in turn, goes nowhere.<\/p>\n<p>But the movie version permits us to see her regret at her impulsive action and how it may negatively impact her son&#8217;s future; her moment of selfishness could lead to a lifetime of aloneness for him. The same actress plays the role in both productions, and she does a fine job in the movie, her wordless acting beautifully conveying her realization of the potential consequences of her momentary indulgence of her future fears. However, exactly why this is necessary &#8211; unless it&#8217;s just part of the slice of life to which we are a witness &#8211; is somewhat unclear to me.<\/p>\n<p>I know my reader prefers the teleplay, but I find it hard to see Borgnine&#8217;s Marty as more charismatic than Steiger&#8217;s; if anything, he&#8217;s less so, as I can see Borgnine himself as being so unsure of himself, while Steiger just doesn&#8217;t strike me as someone so underconfident as to think he&#8217;s an ugly toad. In the end, while buying the butcher shop might be extraneous, I much preferred the movie paramour to the teleplay&#8217;s version, and Ernest, ever so slightly, over Rod. While I appreciate both productions, I like the movie somewhat more.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>I found some time to watch the Steiger version\u00a0(teleplay) of Marty while sitting with my terminally ill cat. I was a little distracted by the technical problems, the worst of which was the audio track, fading in and out and distorting the dialogue into illegibility; I was more able to \u2026 <a class=\"continue-reading-link\" href=\"https:\/\/huewhite.com\/umb\/2016\/03\/26\/belated-movie-reviews-ctd-4\/\"> Continue reading <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-3341","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/3341","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/comments?post=3341"}],"version-history":[{"count":1,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/3341\/revisions"}],"predecessor-version":[{"id":3342,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/3341\/revisions\/3342"}],"wp:attachment":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/media?parent=3341"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/categories?post=3341"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/tags?post=3341"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}