{"id":32035,"date":"2021-02-08T15:20:02","date_gmt":"2021-02-08T21:20:02","guid":{"rendered":"http:\/\/huewhite.com\/umb\/?p=32035"},"modified":"2021-02-08T15:20:02","modified_gmt":"2021-02-08T21:20:02","slug":"belated-movie-reviews-641","status":"publish","type":"post","link":"https:\/\/huewhite.com\/umb\/2021\/02\/08\/belated-movie-reviews-641\/","title":{"rendered":"Belated Movie Reviews"},"content":{"rendered":"<div id=\"attachment_32128\" style=\"width: 309px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?ssl=1\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-32128\" class=\"wp-image-32128\" src=\"https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?resize=299%2C227&#038;ssl=1\" alt=\"\" width=\"299\" height=\"227\" srcset=\"https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?w=584&amp;ssl=1 584w, https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?resize=300%2C227&amp;ssl=1 300w, https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?resize=150%2C114&amp;ssl=1 150w, https:\/\/i0.wp.com\/huewhite.com\/umb\/wp-content\/uploads\/2021\/02\/how-to-make-a-monster.jpeg?resize=198%2C150&amp;ssl=1 198w\" sizes=\"auto, (max-width: 299px) 100vw, 299px\" \/><\/a><p id=\"caption-attachment-32128\" class=\"wp-caption-text\"><em>Always treat your monsters informally.<\/em><\/p><\/div>\n<p><a href=\"https:\/\/en.wikipedia.org\/wiki\/How_to_Make_a_Monster_(1958_film)\" target=\"_blank\" rel=\"noopener\"><em><strong>How To Make A Monster<\/strong><\/em><\/a> (1958) is a minor B-list gem of a movie. Blessed with superior B&amp;W cinematography, this is the story of Pete Dumond, master makeup artist with a specialty in the traditional monsters such as the Werewolf, and his war with the corporation taking over Dumond&#8217;s employer, American International Studios (look for the in-joke). NBN Associates, the buyers, are not interested in continuing the monster movie tradition; they want the physical assets, but the people? Only those who are applicable to producing their style of movies. Dumond does not fit in.<\/p>\n<p>But Dumond has other plans.<\/p>\n<p>Dumond&#8217;s secret weapon? Well, let&#8217;s just say he&#8217;s found an improvement to his art that enhances the performance of the actors underneath the fur, feathers, and face plasters. Under his terse direction, the monsters become a menace not just to the movie heroines, but to anyone in their path.<\/p>\n<p>And there&#8217;s even more lurking under the affable Dumond exterior. Indeed, that which bubbles under his balding pate is enough to consume everything. But will it?<\/p>\n<p>Competent performances and story round out this low-key movie. I won&#8217;t say it&#8217;s wonderful, as some of the horror didn&#8217;t really connect for us, but it surprised us in a delightful manner, which was perhaps reflective of our low expectations.<\/p>\n<p>Enjoy!<\/p>\n","protected":false},"excerpt":{"rendered":"<p>How To Make A Monster (1958) is a minor B-list gem of a movie. Blessed with superior B&amp;W cinematography, this is the story of Pete Dumond, master makeup artist with a specialty in the traditional monsters such as the Werewolf, and his war with the corporation taking over Dumond&#8217;s employer, \u2026 <a class=\"continue-reading-link\" href=\"https:\/\/huewhite.com\/umb\/2021\/02\/08\/belated-movie-reviews-641\/\"> Continue reading <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-32035","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/32035","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/comments?post=32035"}],"version-history":[{"count":2,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/32035\/revisions"}],"predecessor-version":[{"id":32129,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/32035\/revisions\/32129"}],"wp:attachment":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/media?parent=32035"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/categories?post=32035"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/tags?post=32035"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}