{"id":17179,"date":"2018-08-24T10:57:43","date_gmt":"2018-08-24T15:57:43","guid":{"rendered":"http:\/\/huewhite.com\/umb\/?p=17179"},"modified":"2018-08-24T10:57:43","modified_gmt":"2018-08-24T15:57:43","slug":"belated-movie-reviews-353","status":"publish","type":"post","link":"https:\/\/huewhite.com\/umb\/2018\/08\/24\/belated-movie-reviews-353\/","title":{"rendered":"Belated Movie Reviews"},"content":{"rendered":"<div style=\"width: 453px\" class=\"wp-caption alignleft\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/i1.wp.com\/tokusatsunetwork.com\/wp-content\/uploads\/2015\/01\/WG4.jpg\" alt=\"\" width=\"443\" height=\"249\" \/><p class=\"wp-caption-text\"><em>It&#8217;s cousin saving time. Too bad he&#8217;s a barbaric wretch.<\/em><\/p><\/div>\n<p>Once again, the Japanese are plagued with monsters in <a href=\"https:\/\/en.wikipedia.org\/wiki\/The_War_of_the_Gargantuas\" target=\"_blank\" rel=\"noopener\"><em><strong>War Of the Gargantuas<\/strong><\/em><\/a> (1966), and, given the aplomb with which the Japanese defense officials face these situations, you&#8217;d think they&#8217;d have developed better strategies for dealing with creatures standing more than 100 feet tall. Perhaps they should hide all their cities underground?<\/p>\n<hr width=\"0\" \/>\n<div style=\"width: 180px\" class=\"wp-caption alignright\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/upload.wikimedia.org\/wikipedia\/commons\/thumb\/a\/a7\/Frankenstein%27s_monster_%28Boris_Karloff%29.jpg\/170px-Frankenstein%27s_monster_%28Boris_Karloff%29.jpg\" alt=\"\" width=\"170\" height=\"213\" \/><p class=\"wp-caption-text\"><em>Note stuff coming out of neck. Reeks aesthetically.<\/em><\/p><\/div>\n<p>But this time around there&#8217;s a Western element, as some of the biological cells of &#8230; (wait for it) &#8230; <em>Frankenstein<\/em> &#8230; not <em>Frankenstein&#8217;s Monster<\/em>, which is different &#8230; are to blame for the eponymous characters. (I&#8217;m visualizing the costume crew working on labcoats for 100 foot tall scientists.) Why? Uh, it had something to do with cell replication, and, oh, I don&#8217;t know. The scientific team, lead by the American doctor (Russ Tamblyn) and including the attractive Japanese lady, were remarkably casual about the whole thing. It&#8217;s been maybe 30 years since I&#8217;ve read <em><strong>Frankenstein<\/strong><\/em>, and I don&#8217;t recall Shelley&#8217;s genesis of the Monster, except he was an amazing physical specimen, not the riveted together hunk of junk of the cinematic versions.<\/p>\n<p>Let&#8217;s count up the monsters, shall we? First, there&#8217;s the giant octopus that has the cargo ship in its tentacles during the opening storm. Then there&#8217;s Gargantua #1, a big, hairy humanoid, which takes exception to the giant octopus harassing the ship, and chases it away. Hurrah for the ship&#8217;s crew, yes!<\/p>\n<p>Oh, wait, this is more of a tantrum over a toy, isn&#8217;t it? And, not only does the ship go down, most of the crew becomes &#8230; dinner.<\/p>\n<p>An intervening moment while the scientific team puzzles over what appears to be their &#8220;Frankenstein,&#8221; which is now huge <em>and<\/em> fond of human meat, as #1 ventures on land and ravages an airport, including a fairly shocking consumption of one of the would-be passengers. The <em>Frankenstein<\/em> they had been studying was peaceful and friendly, goldarnit!<\/p>\n<p>But when the Japanese trap the Gargantua in an electrified river, all seems to be coming to a happy ending, until #2 Gargantua appears (that would be <strong>3<\/strong> outsized critters) and rescues #1. Equally huge, and in fact identical to #1 except in coloration, the two hide out in the forest and river, and during this <em>Gargantua Golden Era<\/em> one of the search teams ventures too near a cliff and the aforementioned Japanese lady scientist nearly tumbles to her death, only to be saved by #2, which, interestingly enough, hurts himself doing so. She is returned to the American scientist, but when #2 returns to tend to wounded #1, he (honestly, they appear to be sexless) discovers &#8230; chewed up human clothing. Extended pantomime suggests a line has been crossed, and soon enough the two are rolling (#2 with a limp) across Tokyo in a Gargantua death match, and eventually into Tokyo Bay they tumble, all the while the Japanese worrying about them shedding more skin cells that might turn into more <em>Gargantua Frankensteins<\/em>, which has comedic possibility written all over it in purple ink.<\/p>\n<p>In a fittingly huge bit of <em>deus ex machina<\/em>, an underwater volcano in Tokyo Bay chooses this moment to erupt and build itself into an island, allegedly consuming the battling Gargantua in the process. Yep, there was a <em>nudge-nudge wink-wink<\/em> from the cast on not finding any corpses to, ah, study.<\/p>\n<p>Yeah, just why did I waste all these bytes on this review, anyways? If there&#8217;s a thematic exploration in here, I missed it. Maybe it had something to do with titanic mistakes requiring titanic acts of God to cover up? Seems unlikely.<\/p>\n<p>Make up your own. And, remember, having read this review, you needn&#8217;t actually watch the movie. Unless you enjoy watching models of military vehicles and cities being destroyed. Although I must admit to chortling when the Gargantua were running through various towns and cities. You&#8217;d expect each step to be its own earthquake, local humans jolting up and down in rhythm to their footsteps&#8230;.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Once again, the Japanese are plagued with monsters in War Of the Gargantuas (1966), and, given the aplomb with which the Japanese defense officials face these situations, you&#8217;d think they&#8217;d have developed better strategies for dealing with creatures standing more than 100 feet tall. Perhaps they should hide all their \u2026 <a class=\"continue-reading-link\" href=\"https:\/\/huewhite.com\/umb\/2018\/08\/24\/belated-movie-reviews-353\/\"> Continue reading <span class=\"meta-nav\">&rarr; <\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"nf_dc_page":"","_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17179","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/17179","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/comments?post=17179"}],"version-history":[{"count":3,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/17179\/revisions"}],"predecessor-version":[{"id":17183,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/posts\/17179\/revisions\/17183"}],"wp:attachment":[{"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/media?parent=17179"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/categories?post=17179"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/huewhite.com\/umb\/wp-json\/wp\/v2\/tags?post=17179"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}